And apparently I’m pretty good at it too.
Sometimes being full of yourself is a necessity. Well, maybe not to that extreme, but my mantra at When Words Collide was: Speak up, be bold, do not be afraid to take up space. And it paid off.
I did three panels this year and would like to take a moment to talk about each of them.
CROSSING GENRES: We spoke on the thrill and difficulties of writing in multiple genres, either in different projects, or in projects that blur the lines between established genres.
Pros: I write fantasy, contemporary lit, and science fiction, and I find the biggest pro is that when people are looking at my books I have a greater chance of having something for them. As someone who reads widely I don’t have a real preference for genre. I don’t write mystery, can’t get the hang of it, but anything else is fair game for me. If there’s a story I want to write, I’ll write it, and I’ll figure out how it fits into genres and my own collection later. This seemed to be the consensus on the panel – we were all happy to write what we enjoyed and figure out what the genre was, who to sell it to, and how to market it, after it was written.
Cons: My fantasy fans are always hounding me for the next book while I’m working on the sci-fi series. For traditionally published authors they may have to find a different publisher if they stray from their established genre. And if you are established in one genre it can be hard to bring fans with you when you write something new.
Nom de Plume: There are pros and cons for using a pen name. It takes time and effort to cultivate a following for each name. On the other hand, fans know what they’re getting when they see the name on the cover. Casia writes fantasy while KC writes contemporary lit (I don’t use a pen name). Some traditional publishers require it because of marketing and branding. We all agreed that if you were writing YA or MG and you also wrote smut that you should use a pen name for the smut.
Genre and marketing: Publishers, book stores, and online publishing platforms are the ones pigeon holing books into genres so they can market them and recommend them to people, and sort them on lists and shelves. Many authors write fantasy that could also be horror, or could also be sci-fi. Or they write literary fiction with a paranormal bent, which is basically fantasy with pretty language and a good moral. Is it a mystery with paranormal elements, or a fantasy with a mysterious plot? Authors don’t always have control over how their book is marketed by the publisher.
This was my first panel ever and I was very nervous but I was the only indie on the panel so I had some unique insights to bring to the conversation. The other panelists were friendly and knowledgeable and no one person dominated the session. As an introduction to this type of speaking it was perfect for me and I hope those who attended enjoyed themselves.
YOUNG ADULT TO NEW ADULT:I could write a whole post on this subject!
There’s been a shift in YA literature. It used to be for teens, 14+, now it’s for kids as young as 10. Which isn’t a problem, except that over half the buying and reading market for YA lit are adults. Which means the YA category gets broken into young or lower YA (for 10-15 year olds – what used to be MG) YA (14-18) and upper YA (17+). NA looks to fill that crossover market, writing books that sound and feel like YA but feature protagonists who are in college or out of school completely as compared to being in junior high or high school.
The age of the protagonist and the maturity level of the content (violence, swearing, sex, politics, etc) are mainly what mark the difference between NA and YA but there is a large grey area between them and a lot of crossover depending on the interest and maturity of the reader.
PEN TO PAPER: When writing doesn’t look like putting words on the page.
We discussed outlining, doodling, world building, daydreaming, and brainstorming. We talked about where our inspiration came from and the types of activities we filled our time with while we were pondering or working through writers’ block.
Repetitive, mindless, physical activity, be it yoga, chopping wood, mowing the lawn, taking a walk, doing dishes, etc, was brought up time and again as a way to keep the body busy and distracted while the mind is free to wander.
We talked about visiting the settings of our stories, or if we wrote fantasy at least visiting museums and such places to get a feel for the time period we were basing our fantasy world in.
We discussed music as inspiration and as motivator (and we were split down the middle with two of us preferring silence and two of us using music to fuel our writing).
We weren’t very talented with art but map making was one of the doodling things we did for inspiration. That, and timelines and calendars for working through writers’ block.
And that was my experience doing panels. I admit, I was nervous, but I had a great time and I learned a lot. I hope other people learned something from me.